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Below is a archetype of Denise Scott Brown‘s comments at the June 15 canonizing account for the backward Robert Venturi at the University of Pennsylvania‘s Fisher Fine Arts Library. The afterward archetype has been agilely edited for clarity.

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It’s admirable to see you all. There are some contempo accompany and additionally bodies I hadn’t apparent aback 1960. One came up, a planner: I already said to him, “That’s not acceptable for aerial school, it’s not alike acceptable for elementary school,” and I wondered what he became. He said, “well I accept been the agent to Burundi.” That makes me so happy. He was admirable afresh and acutely is now.

Bill, who lived in our basement, has talked about Bob in the studio. We’d apprehend him say, “This is a abhorrent idea… but wait, let’s see.” He would rather booty it up than say, “oh no, we couldn’t do that.” But he adeptness say, “I haven’t accepted the arrangement of the architectonics yet.” Few bodies knew he anticipation that way or knew his able adeptness to go from assay to amalgam over and again—to be acutely rigorous. But I admired him for it.

I’m blessed we are captivation this canonizing here, because the Furness library has been such an important abode for us. Bob and I met here. But he had, in fact, saw Robert Scott Brown and me at a presentation our planning flat fabricated to Lou Kahn in 1959. He was actual afflicted by Robert, who had backward up one night until 3 a.m. with Bill Alonso who had accomplished him hire theory, so Robert could explain how anchorage access the architectonics of barrio and cities. I had alone acclaimed that Lou Kahn had with him a adolescent assistant. And afresh aural two weeks Robert was killed. I went aback home and alternate to Penn in the abatement a sad, adolescent widow. But I accelerating and started teaching in 1960, and aural the aboriginal anniversary or so there was a adroitness meeting.

At the AA you as a apprentice could access anyone’s jury. I had done this at Penn, and that was addition acumen Bob knew me slightly. And at the adroitness affair I did it again. “Why are you demography this architectonics down?” I asked. I had apparent in London the Horniman Museum and Whitechapel Gallery of the artist Townsend, and the Furness Library, abnormally its calibration jumps, reminded me of them. I was actual absorbed in calibration jumps, and the Affectation they were allotment of. Apparent as aberrant, Affectation was reappraised in England in the 1940s. Nicholas Pevsner, its rediscoverer, and one of his students, actuality tonight, and additionally John Summerson, guided me through Mannerism. I listened two years active to Summerson’s AA lectures on Classicism, travelled in England, France and Italy, with Pevsner’s book and Robin Middleton’s itinerary, and abstruse a abundant deal.

Bob grew up in Philadelphia. He was a absent little child. His parents took him out of Quaker academy aback they begin his board in the aisle alfresco the classroom. He was allegedly talking too much. An old abecedary acquaintance of his mother said, “send him to a structured and acclimatized place,” That was Episcopal Academy. “I went there,” Bob said, “and went underground.” The academy was suitable—structured, disciplined, but actual kind. And we adulation Jim Squires, our applicant for its chapel. But there were alone two little Italian boys in the school, and in history class, the abecedary said, “immigrants from the North were bigger to those from the South.”

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Bob and I aggregate that. I had to put up with anti-Semitism at my basic academy in South Africa. But I accept that actuality different—having skewed views—is advantageous to artistic people. Our aberrant eyes bound abutting forces, we aggregate affectation and actuality marginal. This fabricated for a actual absorbing bristles years that few knew we had shared.

Robert Venturi and Denise Scott Brown in Studio, 1968. (Courtesy of Venturi, Scott Brown and Associates)

The activity adventure is that Bob went to Rome, apparent Affectation in the library, came back, and started to do it. Yes, he abstruse about it in Rome, but 12 canicule afore he left. And can you brainstorm Bob sitting in the library aback the accomplished of Rome is alfresco to explore? I’ve apparent him in Rome, visited churches with him abounding times. And all those, they were bizarre churches. He went area Giedion beatific him. He saw a bulk little towns—hill towns—all over. And he got to Egypt with friends. Aback was the time to do all that reading?

But about twelve canicule afore he left, Jim and Sally Gresham took Bob and Chuck Brickbauer to see the assignment of Armando Brasini on the outskirts of Rome. He was a fascist, still active in his arresting palazzo, and Bob visited him. Aback in America, he [Bob] had lots to do. His Dad was actual ill. He had to run the bake-apple and aftermath business, which we afterwards ran together. It was three blocks from the architectonics office. Long-haired, egg-head bake-apple merchant—that’s allotment of him—Princeton admirer with a southern Italian opera background. It was these mixtures that we started with. And Dave Crane said, “Denise you should ally Bob Venturi, and I’ll allure you both to dinner.” By the time he did, we had already had dinner.

We started by activity to his appointment and seeing his designs, afresh he took me to a Princeton brawl game. Bob went to a “ball game” by activity to the library while the brawl bold was played, and aback it was over, his accompany wouldn’t acquaint him who had won. But in the library, I begin Lutyens’ four volumes on his houses. I had had two years of lectures on Affectation with Summerson, and had catholic to Venice application Robin Middleton’s account of barrio and paintings to see on the way to Venice and afresh on to Rome. And, admitting we had a lot to share, Bob had not apparent those books. I said, “You beggarly you’re absorbed in Lutyens and you haven’t apparent these?” Well, he went and bought them and aural two weeks he knew them bigger than I did. He was captivated with what I had learned, and I was appropriately captivated with what he abstruse from two years of address with Donald Drew Egbert at Princeton.

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At Penn, we accomplished afterwards semesters of a theories course, analysis architecture, mural architecture, and planning. Abundance was an overview of them all with called adroitness from anniversary department, introducing their acreage and their interests. I gave one lecture, but my role was to cull it all together. Although I was a adroitness member, Holmes advised me as a TA. I had to accord out photographs on boards for acceptance to draw from, because acquirements to draw was allotment of this course, as able-bodied as acquirements some avant-garde architectural classics. Soon I was accepting dead by my class. “Don’t you see that we’re alum students!” So I bankrupt the rules and authentic my job as bond approach and convenance via cartoon as Holmes had wanted, but accepting them accept their examples and allegory them via the accountable amount of the address to advance against flat architectonics problems. We aggregate them with anniversary added and with Bob.

He was active the Spring division advance on theories of architecture. As Holmes said, “You went to Princeton, you apperceive history.” But the basal bulletin was, you didn’t go to Harvard so you won’t be blockage actuality long, and it activated to both of us.

Meanwhile, teaching together, putting our two courses together, was all sorts of fun. And that’s what Bob was mainly doing. The annal actuality at Penn is abounding of his notes. Now he sat in this library all the time, alive 80 hours a anniversary award slides and account on the actual advanced capacity he acclimated to augment the Vitruvian apparatus of architectonics from three to fifteen and giving a address on one anniversary week, analysis how altered eras of architecture, for example, how ablaze was let into buildings.

Robert Scott Brown and I had done a abundant accord of photography while traveling. We spent a ages photographing in Venice, seeing what we were accomplishing as authoritative a almanac to booty home to South Africa. But it grew on avenue to assuming account through photography. At Penn, I acclimated abundance for teaching. Afresh I said, “Hey Bob, I’ve got slides that you can use for your address on scale.” We began administration photographs and accessible book references. Afresh Bob, accepting apparent the access I was authoritative amid approach and flat for my course, asked me to devise agnate assignment capacity for his. Eventually, I did so formally by active the tutorials for both courses during the aftermost semester, we collaborated at Penn.

I ran the tutorials, the cartoon and analysis exercises, and the articulation to studio. And the abutting abode you’ll acquisition that blazon of assignment is in the programs for the Acquirements from Las Vegas studio. Afterwards I abstruse that aback we larboard Penn, the achievement in flat went way down, because research-design access were no best made.

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So that’s the adventure from one side. On the added were the planners. They were like Rabbinical acceptance jumping up on the tables and arguing, and I argued with them. I additionally argued with Paul Davidoff, afterwards abrogation my seat. We active two baby apartment beyond a aisle from anniversary added in a basement studio. We alone leaned over to altercate from our seats and beyond the aisle and groups of acceptance would anatomy about the doors to listen. Afresh we adeptness go admiral to the coffee apparatus and a beyond accumulation adeptness form. As far as I could see, that was the alone time planners and architects agreeably came together.

But the backbone of the planning academy was a admirable backbone for me and the base for access amid Las Vegas and architectonics that Bob and I afterwards made, and things like that. Bob was absorbed by the amusing planners. His mother was a left-wing and a pacifist, so he could apprehend Paul Davidoff aback he said, “Why do you accept to go as far as Ville Radieuse, the burghal isn’t that bad. It’s appealing good. It’s about all right.” And that’s area Bob got, “Is not capital artery about all right?” that comes from Paul.

Bob was actual accessible to what was activity on in my West Philadelphia flat and the planning academy in general. But no one abroad in architectonics was absorbed at that time. So aback I went to Las Vegas, Bob was the alone aide I arrive to appear with me. And aback planning his theories course, delved with my advice into burghal and planning thought. And I could advice with aboriginal Modernism. His analysis files in the archive, accommodate a agenda adage “Function and beauty, Denise.” He is not adage I abridge both. He says, “remember what she had to say about how the aboriginal Avant-garde functionalists saw that relationship,” and he included my advice in his address on function. I’m added than admiring to explain to you what Bob meant and additionally how I saw my role of bond architectonics and planning, as that of a bazaar horse addition as the horses advance apart. But acutely Nixonism and Reganism afar architectonics and planning until affiliation was about absurd to make. It still is.

Other things happened, so it didn’t assignment that way, but architects took acerb to these account as appear in Acquirements from Las Vegas and angry them creatively to their own talents to article that designers could use and love. I accept capital to appearance you that our aboriginal bristles years of accord were an amazingly blessed time. That’s what I was so blessed about. And I’m blessed about the rest, admitting our careers were a long, slow, acclaim angled motion. And Bob, for abundant of his career, acquainted like Milton in his sonnet, “On His Blindness,” where, “that one aptitude which is afterlife to hide, / Lodg’d with me useless.” Bob was a balked adolescent artist because he could architectonics so abundant added than he was assassin to do. But boring we congenital up, and eventually one day, afterwards arguing with ourselves, we accomplished we absolutely had accomplished what we capital to achieve. And sure, thirty of our projects could fit into one of I.M. Pei’s, but I feel I.M., an artist I abundant respect, would accept admired to be the artist of the National Gallery. Just afore he died, Bob said to me, “I’m a very, actual old man.” And he was. And he anticipation he would die at the age his ancestor had died, 69. And he was blessed absolutely at all that had happened admitting our problems.

You’ve told us how admirable it’s been accepting us in your lives. And I’m cogent you how awfully important you are to ours.

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