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Photo Credit: Ms. Reaha Keller



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“Not anybody will adjudge to alarm what I do music.”  Meet Edward Park.  He’s been teaching music approach and agreement at Irvine Valley Academy (IVC) back 2016, and afresh began teaching a advance in music technology at Chapman University.

This year, my wife and I abounding two concerts that were performed or directed by Edward.  Both of the concerts we abounding were thought-provoking.



When I had the adventitious to allege with Edward, he told me that what he strives for as a assistant is not accessible to characterize.  Edward’s teaching is all-embracing and actual contemporary.  “Non-standard” is the appellation Edward prefers.   I accede that the two concerts I abounding were not your archetypal agreeable performances, but I begin them avant-garde and captivating.



In February, Edward presented the “Dinner Music,” which included all of his own compositions.   He bankrupt the concert with three abbreviate pieces he had composed for a abandoned clarinet, which is Edward’s accepted agreeable instrument.  The pieces were adorable and engaging.  But the blow of the affairs absolutely appear the across of his adroitness — including a allotment which consisted of readings of his own prose, accompanied by a pianist.

The concert began with an aboriginal cyberbanking music piece. “She Was Our” was developed and presented on a laptop computer.  This agreeable anatomy reflects Edward’s origins of acquirements and transcribing video bold capacity and their variations.  The achievement was blood-tingling and a shiver of contentment seemed to run through the absolute audience.

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Photo Credit: IVC Senior Lab Technician Mark Petersen

However, the allotment that I’ve been talking about anytime back the concert concluded was aggressive by John Cage.  Edward performed “Every Day I Wake Up and Thank John Cage.”  The allotment includes performers, built-in at a agenda table set with atom bowls, cups, and artificial spoons & forks.  No agreeable accompaniment.

The performers collaborate about consistently but with non-articulated vocalizations — growls, shouts, jingles, followed by silence.   Playful brand angry with the artificial forks accompanied abrupt voices.  They tossed handfuls of colored, acceptable atom back-and-forth.  It captivated me to apprehend that simple interactions about dining are generally affecting and, in a way, absolutely musical.  Edward was able to charm archetypal breakfast settings I’ve afresh aggregate with my visiting grandchildren (ages 3 and 6) appliance academy students.  (I’ve included a articulation at the basal of this commodity for you to watch Mr. Cage’s beat assignment in this “nonstandard” genre.”

Photo Credit: IVC Senior Lab Technician Mark Petersen

In October, Edward directed IVC’s “Midnight Blue Concert.”  For this performance, he pulled calm an ensemble of eleven music majors.  The affairs included pieces created by others alive in the aforementioned brand as Edward.  In his words, “Pieces accounting with non-standard characters with accessible concluded chart for any aggregate of agreeable instruments.”  The after-effects were adorable admitting arduous to call so Edward broadcast my understanding.  He told me, “A lot of bodies accept a closed-minded attributes about what constitutes music.  They will assets that appellation for archetypal eras and forms and would not abode what I’m accomplishing in that category.”

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Here is a prime example.  During “Stones” from the “Prose Collection,” accounting by Christian Wolff, Edward’s ensemble approached their podiums area they begin a array of stones — from the admeasurement of a marble to a melon.  The presentation was a activity of abrading these stones together, or borer them, one on the other.  Or abrading or borer them on their agreeable stands.  All of this after any active accessory or vocalization.  Edward explained, “It was meant to be performed by any accumulation of people, with or after any agreeable training.”  The after-effects were evocative of recordings of rivers flowing, a alive wind through trees, or a gentle, breaking surf.  I would adulation to accept a continued recording of “Stones” and let it run for continued periods in the accomplishments of my office.

Photo Credit: Ms. Courtney Crowe

I asked Edward how his acceptance acknowledge to these pieces.  He said, “Students assume to booty it actual seriously.”  Edward’s assignment consistently suspends one in the bind of alert to article that is at times serious, and at added times, not austere at all.  And that’s the absolute curiosity of his work.  So, I asked how a archetypal admirers reacts.  “I’ve absolutely instructed my acceptance to booty their achievement seriously.  The admirers gets sucked in.  If we portray this actual in a adventitious way, the admirers will accept a harder time abutting with the music.  They generally anticipate it’s funny.”  This comes from addition who, abaft his shy smile, acutely has a abundant faculty of humor.

Toward the abutting of the concert, Edward performed “Workers Union,” accounting by Louis Andriessen, with the ensemble abiding to classical instruments – two xylophones, saxophones, drums, a vocalist, etc..  In the words of the composer, “The allotment is a aggregate of both alone abandon and astringent conduct as the beat is absolutely fixed.  The angle is adumbrated alone approximately, on a single-lined stave.”  The aftereffect is an acoustical adventure ride, a cacophony.  The artisan says it’s agnate to acclimation and accustomed out political action.

I had to ask Edward area he finds inspiration.  He said, “I am absolutely accidental.  For me, I’m not abiding what I appetite to do next.  I don’t accept a eyes in my apperception for what my music should be in ten years.  Ideas body up boring over weeks or years.”

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I appetite readers to accompany me in accessory these awful abnormal yet arresting performances that are demography abode appropriate actuality on Irvine academy campuses.

Let me abutting with a adduce from John Cage, Edward’s accurate antecedent of inspiration.  It appealing abundant sums up the focus that Edward uses to aggrandize the accepted border of avant-garde music:  “We anticipate of babble and we try to avoid it as bothersome.  But if we sit and attentively accept to it, it is absorbing to us.”

To analysis the IVC Calendar for accessible concerts, bang here.

To watch a achievement of “Stones” by Christian Wolff, bang here.

To watch assorted works by Edward’s inspiration, John Cage, bang here.

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Last Updated: November 20th, 2019 by admin
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