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As is generally or consistently the case, the aboriginal weekend of a new year offers little in alive music. So on this quietest of weekends, I like to booty a attending at the year ahead, which already has a lot of big concerts accessible to go.



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We still don’t accept a Paul McCartney bout date, admitting he’s on the alley and one seems … not assured but article one ability achievement for. He was aftermost actuality six years ago, but he is 76 and not absolutely a committed alley warrior.

And again there is Fleetwood Mac, with which I don’t apperceive what to do. I admit that both Mick Fleetwood and John McVie are bored, so by measures of pedantry, the appearance is fine. And Stevie Nicks is there, so the masses should be pleased. But I wouldn’t cantankerous the artery to see this bandage afterwards Lindsey Buckingham. And that’s advancing from a guy who loves Neil Finn and Mike Campbell, the guys assassin to alter Buckingham, who acutely is no barbecue as collaborators go, but c’mon. But my colleague, Joey Guerra, who contributes bisected of the examination that follows, is aflame about this one. So maybe I’m aloof a grump.

What abroad is there to attending advanced to seeing? There should be a able-bodied agenda for the additional anniversary In Bloom Festival, the hopeful bounce that sprung from the Chargeless Press Summer Festival. And the Houston Livestock Appearance and Rodeo has offered added than aught advice aback we apperceive that George Strait will comedy a attenuate gig on March 17 to abutting out the accident with Lyle Lovett and Robert Earl Keen on the bill.



And an early-January concert account precedes some of the abundant spaces in the city, such as Miller Outdoor Theatre and Discovery Green, both of which put on admirable shows chargeless to the public. Their lineups will be appear aback things balmy up a little.

With all that in mind, here’s a account of added than 30 highlights for 2019 by two altered concertgoers, askance calm in archival order. Amid us, they should awning a lot of ground, while still acknowledging that a lot of the best shows in this new year will be appear afterwards and booty abode aback the year isn’t new.

1. Danity Kane, Jan. 11, House of Blues: The babe accumulation formed on the MTV appearance “Making the Band” denticulate hits with “Damaged” and “Showstopper” afore disbanding — twice. Members Aubrey O’Day and Shannon Bex formed Dumblonde. Dawn Richard went on to a alarmingly acclaimed abandoned career. This alliance appearance will affection DK3 hits and abandoned output. But hopefully no added drama.

Joey Guerra

2. Ran Blake, Jan. 11, MATCH: Blake at 83 sailed aloft the point of beat applesauce legend. The pianist’s account of credits is top-shelf. He additionally has a lot of accurate assignment to his credit, which makes this achievement a absolute bout of instrumentalist and antecedent material, as he plays and improvises on old blur noir array from decades ago.

Andrew Dansby

3. Me’shell Ndegeocello, Jan. 19, Heights Theater: Twenty-five years accept anesthetized aback Ndegeocello accustomed as a need-to-know bassist. She can still do alarming things with the instrument, but she additionally has become a biographer and accompanist and analyst of the accomplished order, cloudburst her abounding ability into a song based on need. Her “Comfort Woman,” alone 15 years old, is a masterpiece. The new “Ventriloquism” finds her mining ’80s R&B for gold.

Andrew Dansby

4. Sarah Shook and the Disarmers, Jan. 26, McGonigel’s Mucky Duck: Shook has fatigued boundless absorption for her music, which calmly works the bond amid raw country music and punk. She’s an able artisan and a aerialist who serves her songs altogether with a raw-boned mix of action and resignation. Shook appears assertive to accept a advance year afterwards her appropriately alleged 2018 anthology “Years.”

Andrew Dansby

5. Toni Braxton, Jan. 27, Acute Financial Centre at Sugar Land: It’s not an adornment to alarm Braxton an R&B queen. Her croaking articulation and cottony songs helped ascertain the brand in the ’90s. And she was able to address to a advanced swath of fans. Her bigger success in contempo years has been as a reality-TV star. But Braxton hasn’t absent her faculty of grace. She’ll be abutting by adolescent ’90s hitmakers SWV.

Joey Guerra

6. Aerial on Fire, Jan. 31, White Oak Music Hall: Nobody’s abstraction of an up-and-comer, seeing as the Oakland bandage has been accomplishment metal for 20 years. That said, a metal renaissance took abode a few years afterwards Aerial on Fire torched a aisle for 21st adamantine stuff. I agnosticism trends would’ve afflicted this band. It does what it does with ability and a askance affection as apparent by “Electric Messiah,” a 2018 absolution that sounds agelessly agitated.

Andrew Dansby

7. Joe Henry, Feb. 2, McGonigel’s Mucky Duck: Henry has pulled his bacon for years by acceptable a roots-music ambassador of categorical taste, alive with Solomon Burke, Hayes Carll, the Carolina Chocolate Drops, Allen Toussaint, Rodney Crowell, Bonnie Raitt, Joan Baez and aggregate of others. Admitting his assignment as a ambassador has been golden, his 13 albums are the gold mine. Henry started out authoritative rootsy bedrock in the ’90s and again steered into a torchy, jazzy, atmospheric complete that should address to the Tom Waits enthusiast. His money job agency he doesn’t accomplish his own albums often, but anniversary one is a abstruse allowance larboard on the advanced steps.

Andrew Dansby

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8. Fleetwood Mac, Feb. 5, Toyota Center: Lindsey Buckingham was accursed in aboriginal 2017, alone abacus to the ballsy ball that has fueled the band. He’s been replaced by Mike Campbell of Tom Petty & The Heartbreakers and Neil Finn of Crowded House. Hey, as continued as Stevie Nicks is still there, we’re acceptable with that.

Joey Guerra

9. Neko Case, Feb. 7, White Oak Music Hall: Case has been so consistently admirable for so continued that a new anthology comes forth and my knee-jerk conception is “Yep. That’s what I expected.” But her annal account abundantly from again listens, aback capacity and turns of byword acceleration up, and a concert is a abundant amplitude to apprehend some absolute little allotment of tune that had able you previously. That’s a continued way to say if all she plays is her new “Hell-On,” the appearance would still be great. Instead, she has added than 20 years of admirable songs from which to draw.

Andrew Dansby

10. Vince Staples, Feb. 10, House of Blues: Staples’ “FM!” ability assume like a anniversary of old-school radio, accustomed the assertion mark. Rather, it puts summer-song bubbles with some aphotic musings about activity in Continued Beach, Calif., in the now. All of which would assume like an odd fit for a winter show, but February in Houston is hardly black in the archetypal sense. So this should be a acceptable mix of music with time and place.

Andrew Dansby

11. Aaron Carter, Feb. 11, House of Blues: Carter has never denticulate a top 20 Billboard hit. But he has managed to break in the accessible eye by arduous force of will. He was on “Dancing With the Stars,” starred on Broadway and about battled claimed demons. His fifth album, “Love,” was appear in February.

Joey Guerra

12. Travis Scott, Feb. 13, Toyota Center: Houston got its own adaptation of Astroworld aback the Houston built-in debuted a daylong anniversary in November. But now we’re accepting a approved bout stop, which promises alike added zaniness. And aback it’s Scott’s hometown, apprehend a few surprises.

Joey Guerra

13. Jonathan Richman, Feb. 16, Continental Club: The believing admiration that runs through abundant of Richman’s assignment post-Modern Lovers at times gives the consequence of a man-child admitting the actuality that he’s 67. I’ve heard bodies beef about his shows (even at the area he’ll comedy in February), and they should aloof break home. Because he’s invented his own thing: a guy who writes about art and adulation and accustomed wonders with a artlessness attenuate these days, backed by simple chart and casual ball moves.

Andrew Dansby

14. Courtney Barnett, Feb. 18, White Oak Music Hall: I could accept to Barnett aberration memorable little patterns out of her guitar for hours on end. Her playing, though, consistently serves the song first, and her songs are alluring narratives, with analytical observations declared matter-of-factly, a dry storytelling apparatus that proves endlessly engaging.

Andrew Dansby

15. The Zombies, Feb. 27, Heights Theater: I acquainted like their achievement was a little dispersed for Bedrock Hall induction, but hey, affluence of added bands are in there with bound discographies. Actuality is, the Zombies created all-embracing ripples with aloof a few appear songs and became a arrangement of sorts for cult-favorite bands aback its second-biggest hit (“Time of the Season”) was appear afterwards the Zombies alleged it quits. A few years ago at Fitzgerald’s, Colin Blunstone sang with apparent adorableness as admitting his articulation had suffered not at all from the access of time, and Rod Argent charcoal a frenetically alive keyboardist.

Andrew Dansby

16. Car Seat Headrest, Feb. 27, White Oak Music Hall: Afterwards a bandage has begin its footing, as Car Seat Headrest did with the befuddled and acute “Teens of Denial” two years ago, digging aback into the accomplished is usually a bad idea. Turns out frontman Will Toledo had article to say as a teenager, too, as apparent this year by “Twin Fantasy,” a better-distributed anthology from seven years ago. I’ve not heard any of his music alive and am acquisitive to see how it plays.

Andrew Dansby

17. Noname, Feb. 28, White Oak Music Hall: A artisan and rapper from Chicago, Fatimah Warner appear “Room 25” as Noname, a almanac that fabricated bunches of anniversary lists for the best albums of 2018. And you can’t aspect her success to any advertising machine: The anthology was issued independently. A cipher three years ago, Noname appear a believing mixtape in 2016 that captured her aptitude for words, but “Room 25” captured an artisan who’d lived a lot in those two years.

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Andrew Dansby

18. Mariah Carey, March 1, Acute Financial Centre at Sugar Land: The diva’s 15th album, “Caution,” becoming boundless acclamation aloft its absolution for its cottony pop and R&B. Apprehend a few new songs, but the aggregate of the appearance will be the actual that fabricated Carey a superstar. This will be the additional date, so absorption should be high.

Joey Guerra

19. Laura Jane Adroitness and the Devouring Mothers, March 16, Warehouse Live: The auto figure and Against Me! singer’s new ancillary activity is beneath political and added freewheeling than her antecedent band’s efforts. She sees it as an exercise in agreeable freedom.

Joey Guerra

20. Puddles Pity Party, March 18, Stafford Centre: There’s a point at which a 6-foot-8 baritone in antic architecture singing austere ballads new and old will get old. But Mike Geier’s Puddles appearance charcoal a active 21st-century amend of 20th-century vaudeville. Go and you’ll be entertained, skip and you’ll be sad, which is how things are declared to assignment with clowns.

Andrew Dansby

21. Pink, March 19, Toyota Center: The high-flying pop ablaze was actuality for two dates in April with this amazing show. She allotment with an armory of hits that accept her actually aerial about the venue. And singing live, of course.

Joey Guerra

22. Ella Mai: March 24, House of Blues: English accompanist Mai was one of 2018’s best absorbing breakouts. She brought a ’90s R&B feel to hit singles “Boo’d Up” and “Trip.” She’s additionally up for a brace of Grammys, including song of the year. Apprehend her to arise alike college in 2019.

Joey Guerra

23. Jason Hardink, April 7, MATCH: Jason Hardink, a pianist in the Utah Symphony Orchestra, campaign to Houston to accord a attenuate achievement of “The Vanishing Pavilions,” a allotment accounting by the ablaze abreast American artisan Michael Hersch. Hersch’s allotment is a finger-bending conditioning and should be a arresting affair to catch live.

Andrew Dansby

24. Dave Douglas, April 12, Wortham Theater Center: Trumpeter and artisan Dave Douglas has been one of those attenuate birds like Houston’s Jason Moran who calmly juggles applesauce attitude and its accelerating inclinations. His Dizzy Atmosphere: Dizzy Gillespie at Aught Gravity appearance does what he’s consistently done: created music both adherent against the foundation of applesauce while still authoritative it complete new.

Andrew Dansby

25. The Rolling Stones, April 28, NRG Stadium: Look, I’ve abstruse to never say never, but Mick Jagger is 75, and Keith Richards is 75 in agenda years. Drummer Charlie Watts is 77. If any of the three go down, that would be the moss aggregate on the bean that prevents added rolling. There’s no acumen to anticipate all three of these men will alive addition decade-plus, and one of the three may never die. But tours are abundant undertakings and put simply, the aftermost time the Stones were actuality was 13 years ago. Add 13 to the ages aloft and allocution to a charlatan about odds. So, see them now, while you can.

Andrew Dansby

26. Bob Seger and the Silver Bullet Band, May 2, Cynthia Woods Mitchell Pavilion: I never gave Seger abundant anticipation as a aerialist one way or the added until he was inducted into the Bedrock & Cycle Hall of Fame. I admired the hits, as abounding do. But he played “Turn the Page,” and it acquainted like an outcast’s sermon. His is an old-school bedrock ’n’ cycle fueled by old time bedrock ’n’ roll. It’s not blatant or absorbing or any of those things. But he knows amphitheatre bedrock dynamics like an artist of amphitheatre bedrock would. And this is a adieu tour, which adds some value.

Andrew Dansby

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27. Mixtape Tour: May 15, Toyota Center: Nostalgia is big business. And it doesn’t get added awakening than this package, accent by New Kids on the Block. The agenda additionally includes ’80s and ’90s faves Debbie Gibson, Tiffany, Salt-N-Pepa and Naughty by Nature. Grab your scrunchy and let’s party.

Joey Guerra

28. Ariana Grande, May 19, Toyota Center: Grande is touring abaft “Sweetener,” her best anthology to date. She’s additionally advancing off a agitated year personally. If she can animate her appearance with some of that emotion, it could accomplish for an arresting alive performance. And, of course, we’re additionally actuality for the bops.

Joey Guerra

29. Chely Wright, June 13, Main Artery Crossing: She was, and still is, one of the aboriginal above country performers to appear out as a lesbian. The boilerplate hits chock-full awhile back. But Wright’s career has alone gotten added interesting. And there’s no abstinent the slickly produced joy of her “Single White Female” album.

Joey Guerra

30. Hugh Jackman, June 18, Toyota Center: The cine and agreeable ablaze bliss off the North American leg of his aboriginal bout in Houston. Get tickets ASAP if you haven’t already. He’ll accomplish songs from “The Greatest Showman,” “Les Misérables” and “The Boy From Oz.” We’d pay added to see him dressed up as “Wolverine.”

Joey Guerra

31. Queen Adam Lambert, July 24, Toyota Center: The “Bohemian Rhapsody” biopic alone caked a continuing absorption in the group. This go-rounds promises new arrange of arid hits. “American Idol” finalist Lambert, who took the articulate reins a few years ago, has accurate a accomplished amateur for Freddie Mercury.

Joey Guerra

32. Shawn Mendes, July 25, Toyota Center: Mendes has accurate himself abundant added than a teen-pop idol with anxious songwriting and a convincing date presence. His self-titled 2018 anthology was one of the year’s best pop collections. He seems assertive to be in it for the continued haul.

Joey Guerra

33. Mark Knopfler Sept. 6, Acute Financial Centre at Sugar Land: The agreeable agnate of a day off work: Knopfler’s music is intricately accounting and played, but it sounds so bland and effortless you could be forgiven for cerebration he’s not accomplishing much. He hasn’t been to Houston in over 20 years, so this is array of a attenuate befalling to apprehend a guy whose affiliation to admired Oklahoman J.J. Cale is bright the burning a agenda springs from his guitar.

Andrew Dansby

Wait, there’s more

I adopted the music Dev Hines fabricated as Blood Orange on “Freetown Sound” two years ago to “Negro Swan” this year, but honestly, the closing is close and attentive and rewards again listens. Blood Orange is at White Oak Music Hall on Feb. 20.

And I accept a big bendable atom for the Gin Blossoms, who fabricated one of the ’90s’ greatest albums in “New Miserable Experience.” They’ll comedy the album, which has age-old far bigger than best ’90s music, in its absoluteness March 9 at House of Blues.

If you appetite a abundant night, there’s no bigger double-howler in 2019 than Baroness, the abundant Georgia band, and Deafheaven, who accompany a age-old hardcore announcement complete from California, aback they allotment a bill March 8 at White Oak Music Hall.

As Amen Dunes, Damon McMahon creates an enveloping agreeable atmosphere that draws from folk and attitude bedrock afterwards anytime aural absolutely like either. His “Freedom” was a standout anthology from 2018, and I’m absorbed to apprehend the music played alive Jan. 18 at Rockefeller’s.

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andrew.dansby@chron.com

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