Guaranteed to accept admirers levitating, “Make Believe” is a charming, affectionate and generally alluringly able abstraction of boyish magicians, their ability and the amusing caliginosity they footfall out of back they do their stuff. As one audibly puts it, they’re “different,” boyish animal curiosities in a affected carnival area the greatest apparition can be their transformations from uber-nerds to able performers. As a result, it’s a affectionate of claimed boldness that helmer J. Clay Tweel captures in this Los Angeles Blur Festival board prizewinner, which will actualize in at atomic some affected venues, en avenue to a abundant cable play.
Although the adroit account and Tweel’s alteration acquiesce “Make Believe” to about flit assimilate the awning (“The Blue Danube” is playing, and the cuts breeze like baptize from a bottomless pitcher), it does accredit to a formula, one acquired from the “Spellbound”-style docu template. A above antagonism looms — in this case, the anniversary Apple Abracadabra Seminar in Las Vegas — and a accumulation of kids are prepping for the big day. En avenue to their contest, the hopefuls are introduced, the base of their characters plumbed, their faults adjourned and their families interrogated. Already the suspects accept been profiled, they can get bottomward to business.
The filmmakers are no strangers to drama, antagonism or illusion: Producers Ed Cunningham and Seth Gordon fabricated the 2007 videogame docu “The King of Kong: A Fistful of Quarters” (Gordon additionally exec produced and co-directed the accessible “Freakonomics”). Tweel had assorted credits on “Kong,” and producer/Firefly Blur architect Steven Klein is a affiliate of the Academy of Magical Arts & Sciences (based at Hollywood’s Abracadabra Castle, area some of the blur was shot).
But pic’s greatest asset is the all-embracing aggregation of kids at its center: Krystyn Lambert, a shockingly assertive albino from Malibu and one of the abracadabra world’s added able stars-to-be; Bill Koch, a big-faced French horn amateur from Chicago; Derek McKee, a already acutely alienated Colorado kid for whom abracadabra has formed some affectionate of amusing abracadabra; and Siphiwe Fangase and Nkumbuzo Nkonyana, a South African duo whose agitation and acceptable attributes accomplish their comedy-magic act article different and irresistible.
And again there is Hiroki Hara. Raised in Kitayama, Japan, area there’s not alike a market, abundant beneath cell-phone reception, he has, as he tells it, been aggressive by the attributes surrounding him. Free of distractions, he has adherent so abounding hours to convenance that his chiral dexterity, decidedly with arena cards, approaches genius, his date movements resemble ballet, and his samurai- and kabuki-accented act is annihilation the abracadabra apple has anytime seen. (“I appetite to be Asian back I abound up,” says an awe-inspired McKee.)
Nothing anytime goes as planned, of course, or expected. Without absolutely disturbing us, Tweel teases out the after-effects of the Teen Apple Champion faceoff, but you don’t apperception the bewilderment access because the kids and their abilities are such fun to be around. “How abounding teenagers,” asks one of the added accustomed magicians at the end of the film, “know who they are?” And how abounding are so accomplished, while actuality so accidental about it?
Production ethics are superb, conspicuously the use of music and d.p. Richard Marcus’ lensing.
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