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Three-Layer Cake (Brandon Seabrook, Mike Pride, Mike Watt) with ‘Stove Top’ on RareNoise – Out in Mid-May(Published: April 14, 2021)
The accomplished year’s lockdown has accepted acutely arduous to improvising musicians who about advance on contiguous interaction. But bassist Mike Watt, drummer/percussionist Mike Pride, and guitarist/banjoist Brandon Seabrook accept all congenital their careers on blame bottomward the barriers amid genres, so why would they let a little pandemic-induced abreast and geographic ambit angle in their way? Convening for the aboriginal time as Three-Layer Cake, these three dizzyingly adroit artists broil up a long-distance set of singular, boundary-defying collaborations on their burnable debut, Stove Top.
Stove Top is uncategorizable in the best faculty of the word, patching calm elements of punk, chargeless jazz, new music, no wave, doom metal, dub, avant-funk, and assorted subsectors of the beginning in such freewheeling and absonant actualization that the actual abstraction of divvying them up into disparate inspirations seems laughable.
That’s hardly hasty accustomed the accreditation involved: Watt, of course, has been afterlight the rules of bedrock aback his ground-breaking canicule with the allegorical Minutemen, through his affecting assignment with fIREHOSE, his appropriate abandoned career, and his latter-day affiliation with Iggy and the Stooges. Watt has consistently referred to jailbait not as a actualization of music but as a “movement,” one which encompasses a far added ambit of analysis than is about associated with the four-letter word.
“I’ve absolutely outgrown that brand shit,” Watt insists bluntly. “For me, music is music. he movement wasn’t about a actualization of beard or beats per minute. It was added of a accompaniment of mind. So in a way, forty years later, I capital to somehow announce to that.”
Watt’s adolescent cohorts actualize that lesson. Pride has brought his able yet adventuresome boot to assignment with anybody from improvised music figure Anthony Braxton to jailbait legends Millions of Dead Cops (MDC), toured arenas aperture for actor Amy Schumer with Jason Stein’s Locksmith Isidore, and spanned the worlds of modern-jazz, avant-rock, babble and afterlife chargeless applesauce with his own apparel – a agenda that includes the applesauce quartet From Bacteria To Boys, the 7-drummer accession Drummer’s Corpse, and the piano leash I Hate Work. He is additionally co-leader of the apparel Pulverize The Complete (w/ Peter Evans and Tim Dahl) and Period (w/ Charlie Looker and Chuck Bettis).
Seabrook has accustomed himself as one of the best forward-thinking and able guitarists of his bearing as able-bodied as an affecting banjo innovator, declared by the New York Times as “a man allegedly hellbent on earning the appellation of World’s Least Rustic Banjo Player.” He leads the nuclear leash Seabrook Power Plant, donned “a berserk clusterfuck of barbarous banjo torture” by the Village Voice, and has been alleged aloft by titans such as Anthony Braxton, Nels Cline, Cecile McLorant Salvant, So Percussion, and Joey Arias for his appropriate concrete achievement style, hyperreal address and categorical articulation.
Three-Layer Cake was spawned from Pride’s bedfellow actualization on Watt’s long-running radio show/podcast, “The Watt From Pedro Show.” As Pride recalls, “We anon hit it off, so I beatific him a bulletin as anon as we accomplished saying, ‘Hey man, that was absolutely nice. Your activity is great. We should try to do article some time.’ I anticipation that meant three years, bristles years bottomward the bandage if we’re both in the aforementioned city. But he anon responded and had a ton of account appropriate off the bat.”
The basal abstraction for the activity is embodied in the name, which came to Watt fully-formed forth with the abstraction itself: Pride would almanac boom advance and accelerate them to Watt, who would acknowledge on the bass. As Watt summarizes, “There’s a lot of fucked up things about the Internet, but this is one of the acceptable things: instead of overextension lies you can barter files.”
Watt again tasked Pride with award the third bandage for this improvisational concoction. “I knew Brandon was a big fan of Watt’s and affectionate of carries a lot of that appearance that Watt carries about in his own work,” Pride continues. “And Brandon is amazing, so I anticipation it would be musically air-conditioned and karmically air-conditioned to affix those two guys.”
The guitarist was anon on board. “I was excited,” Seabrook says. “I apparent the Minutemen in aerial school, and they were my breach from the applesauce and archetypal bedrock that I had consistently listened to. They were a big access that bankrupt accessible the apple of the jailbait bedrock movement. They additionally accomplished me words like ‘malleable’ and ‘foist’ and ‘fascist’ that I wasn’t acclimated to audition in Led Zeppelin or Black Sabbath songs.”
While Watt insists that he’s far from an accomplished applesauce player, he’s acclimated the belvedere of his appearance to affix with adept improvisers like Jack Wright and Bob Marsh, and afresh absorbed up with a bandage of improvisers including exhausted mainstays Henry Kaiser and Vinny Golia to reinvent John Coltrane’s A Adulation Supreme in electric form. He additionally recognizes a airy affiliation amid the underground arena from which he emerged and the chargeless applesauce realm. “I feel like those guys and the movement are like alongside universes,” Watt says.
Pride creates a tense, abrading bombinate to accessible the anthology on “Beatified, Bedraggled and Bombed,” to which Watt responds with furtive, acid bass interjections afore the allotment break accessible with Pride’s boisterous exhausted and Seabrook’s skittering banjo. “Big Burner” erupts with a skronky no beachcomber groove, while “A Durable Quest” is a stealthier animal, congenital on Pride’s atmospheric brushwork and Watt’s carnal bass.
The adjustment for the annular robin was switched for two tracks: Seabrook instigated the spacious, ambiguous “Shepherds,” which glistens with Pride’s ablaze glockenspiel. Watt’s intricate bass bandage was the aboriginal bandage on the album’s closer, “Ballad of the Gobsmacked,” which Pride again transcribed and developed into a sludgy, accomplish beat. Seabrook’s bouncing about-face guitar adds a consciousness-expanding brume to “Tiller,” an aberrant mélange featuring Pride’s antic marimba melodies, adulterated metal crisis and anesthetic banjo runs. “Primary Fuel” alternates baking dejection licks and ablaze strings over Watt’s dub groove, while “Luminous Ambit – Anxious Valve” builds untethered chargeless applesauce excursions into angular funk.
In the end, all three associates of the leash were captivated by the ambit of area explored via the genre-averse collaboration. “Watt’s music and activity and activity appearance are cool important to bodies like me and Brandon,” Pride says. “So to accompany us all calm was absolutely exciting. I adulation the actuality that this almanac is improvised but there are genitalia of it that are actual composed and complex, and that aggregate still sounds like a bedrock band. It doesn’t complete like some applesauce bodies putting on the bedrock hat. It sounds like anniversary of us, and there’s a avant-garde admixture of styles.”
“Watt is a actual accessible musician,” Seabrook adds. “Knowing his history, I anticipate this fits into the Watt assize but it’s additionally clashing annihilation abroad he’s been a allotment of. We all assignment able-bodied together, experimenting with altered sounds and demography altered approaches. Recording at home, we had a lot of time to try being out.”
And finally, Watt declared the bicoastal accord as an ideal acknowledgment to the restrictions imposed by quarantine. “This almanac is affectionate of a account access for this sitch,” he says. “When I attending aback and apprehend this, it won’t be all bad bits about no gigs and cutting masks.”
TRACKS1. Beatified, Bedraggled and Bombed2. Big Burner3. A Durable Quest4. Shepherds5. Tiller6. Primary Fuel7. Luminous Ambit – Anxious Valve8. Ballad Of The Gobsmacked
Brandon Seabrook – guitar, banjo, tapesMike Pride – drums, glockenspiel, bells, organMike Watt – bass
CD, LP AND MULTIPLE DIGITAL FORMATS AVAILABLE IN STORES AND ONLINE ON MAY 14, 2021 AND THROUGH WWW.RARENOISERECORDS.COM.
Produced by Mike Pride & Mike WattAll Music composed by Pride, Seabrook & WattPublished by RareNoisePublishing (PRS)Recorded & Mixed by Mike Pride at Farming Studios, Chester, NY, Oct-Dec 2020Watt recorded at flat tHUNDERpANTS, San Pedro, CASeabrook recorded at 5151 Studios, Brooklyn, NYMastered by Mike Fossenkemper at Turtletone Studios, NYC
Executive Producer for RareNoiseRecords : Giacomo BruzzoPhotography & architecture by Mike Pride, assisted by Brad SawyerInside painting: “Gauce” by Mike Pride (2018, mixed-media on canvas)
‘Stove Top’ committed to Joe Baiza
More Information: http://www.rarenoiserecords.com
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