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When singer-songwriter Angélica Rahe accomplished her admission album, Reina, aftermost year in Brooklyn, she knew she wouldn’t be blockage in New York for the release. Nor would she arch aback to L.A., area she’d spent the greater allotment of six years alive as a songwriter and dabbling in aggregate from blur to television projects. The R&B accompanist was activity to Austin to bless — to the association she fell in adulation with while on bout as a guitarist and advancement diva for Kali Uchis.
“I absolutely affiliated with this allotment of the country musically,” Rahe explains. “Something hit me. A lot of my idols — bodies like Erykah Badu and Solange, bodies from Texas — accomplish music here.”
Much like Solange, Rahe’s music doesn’t resemble the packaged, made-for-radio R&B of today. “Como Yo” and “Templo,” two singles from Reina, are buttery and seductive, like a Sade almanac you can’t stop alert to alike afterwards 20 years. The lyrics, accounting by Rahe and articulate absolutely in Spanish, are affiliated by her airy, bristling vocals and soft-stepping temperament. She additionally plays advance guitar on the almanac and is accompanied by Cleon Edwards on drums (drummer for Erykah Badu and Jill Scott) and bassist Nick Clark (who’s performed with Kanye West and H.E.R.).
Reina, she says, is focused on empowerment and acquirements to adulation yourself.
“As women, I anticipate we’re quick to aces ourselves afar or analyze ourselves or not feel worthy. I capital to actualize article that aboveboard talked about that active you go through,” said Rahe.
Two years afterwards she began alive on the record, Rahe is acquisitive to allotment it. Reina comes out on Valentine’s Day.
On the phone, Rahe is balmy and active as she explains how she spent best of her adolescence in added countries and what appulse that has had on her art.
“My parents confused about a lot — my dad was a dentist in the Navy so I grew up mainly in Japan and Spain. They were additionally musicians. We afraid out at a lot of clubs and basement concerts,” she said. “I learned, growing up in altered places and singing in altered languages, the accent you’re singing in isn’t important. Music has this able way of still abutting whether or not you absolutely accept the words.”
That accepted affiliation has helped adviser Rahe’s complete and accustomed her the befalling to assignment with Dallas musicians like Edwards and Clark. Another Dallas artist, Cameron McCloud of Cure for Paranoia, adds some arrangement to “Como Yo” with a few glossy verses in his quick-footed tempo. Rahe says she saw Cure for Paranoia at South by Southwest in 2019 and knew she had to assignment with McCloud. One email and a sample clue later, the hip-hop artisan was on board.
McCloud is one of abounding artists Rahe has met in Austin who has accustomed and encouraged her music.
“From Norah Jones to Selena to St. Vincent, there’s this huge amount of changeable artists who accept been accepted here. A lot of bodies actuality get that I accomplish music in Spanish,” Rahe said.
When asked what she anticipation about this year’s Super Bowl halftime appearance featuring Jennifer Lopez and Shakira, Rahe raved about the performance.
“I anticipation it was incredible. Both of those women are able and wonderful,” she said.
“This is the time for cogent the things that accomplish us different — those things tend to affiliate us, as well. It’s admirable to feel pride and accurate area you appear from, abnormally in the Latino community.”
Angélica Rahe’s anthology absolution affair is on Friday, Feb. 14 at 8 p.m. at Mohawk in Austin. The appearance additionally appearance Soft Glas and Pothos. Tickets are $10-13.
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