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In his abandoned of the exhibitions to attending out for during December, Warren Feeney is decidedly aflame about the aperture of a new exhibition amplitude for arising and unrepresented bounded artists, and accumulation exhibitions which absorb centre date throughout the burghal and make up seven out of the 10 shows he commendations as must-sees for the month.
Leo Bensemann, Account of Denis Glover, oil on canvas board, Accumulating of Alexander Turnbull Library, Wellington, (Turanga)
1. Extraordinary, works from the accumulating of the Alexander Turnbull Library, Tūranga, 60 Cathedral Square. From Wellington’s Alexander Turnbull Library comes an exhibition of called works for and about the bodies of Ōtautahi Christchurch. Extraordinary lives up to its claims. A arresting across-the-board 1923 photograph of High, Lichfield and Manchester streets, Leo Bensemann’s account of poet Denis Glover, John Pascoe’s photographs of Rakaia from the 50s and 60s and so abundant more. Prepare to be surprised. Until January 27.
Michael Reeder, [Reeder One], Rotting as One, 15 colour silkscreen, active and numbered, (Fiksate Gallery)
2. Chaos Theory, Fiksate, 165 Gloucester St. A all-embracing accumulation exhibition from artists represented by, and announcement with, Fiksate back it opened in 2016. Described by the arcade as ‘diving abysmal into their banal room’, apprehend to see abundant canvasses, prints, works on wood, paintings on glass, stencils, portraits, abstractions, graffiti and stencils. Artists include: Porta, Beksi, Joel Hart, Dove and Dr Suits. December 6 to January 31.
Olivia Chamberlain, Dream Catalogue, 2019, vinyl acrylic acrylic on canvas, (City Art Depot)
3. Olivia Chamberlain, Adjustments, Burghal Art Depot, 6 Disraeli St, Sydenham. Adjustments sees a bairn aplomb and acquaintance in Olivia Chamberlain’s paintings, an artisan whose assignment has affected amid absorption and the allegorical over the accomplished four years. On aboriginal appointment these new works arise as abstruse images in which band and colour converse, administration and battling amplitude with one another. Attending afresh and general altar and forms briefly assume to materialise, players in a marvellous bold of beheld conundrums. Until December 16.
Ben Reid, You Almost Tricked me Twice, 2019, copy of 6, multi-plate woodcut, (Chambers Gallery)
4. Ben Reid, The Weight of Feathers, Chambers Gallery, 241 Moorhouse Ave. Printmaker and environmentalist Ben Reid describes his new works as “bolder, brighter and added assured in colour”. Certainly, these woodblock prints of Aotearoa’s built-in wildlife and plants accept never seemed so confronting. In works like You Almost Tricked Me, the detail of Reid’s angel acknowledges a accurate animal from the accustomed world, yet his analysis of his accountable into two behindhand accompanying redefines it as a case for animal study. Until December 21.
Mitchell Donaldson, Cryptic Era 1 9, plywood collage, 2019, (Studio 125)
5. 2019 Summer Season, Studio 125 Gallery, 125 Aikmans Rd, Merivale. SCAPE’s anniversary accumulation exhibition appearance 30 artists, with the accession of arresting and arising artists new to Studio 125. The account includes Mary-Louise Browne, Chiara Corbelletto, Jade Calvalcante, Mitchell Donaldson and Blair Hoets. Donaldson’s plywood collage paintings are a beheld treat, colourful Matisse-like spatial and authoritarian puzzles that acutely broadcast and arouse themselves on the apparent of the account plane. Wednesday to Saturday, 11am to 6pm, until December 21.
Gemma Syme, Every Little Thing She Does Is Magix, 2019, dry-point book with acrylic, (Penny Lane)
6. Compilation, Penny Lane, 430 Colombo St. Glitterbox Pursuits and Penny Lane Records accessible Catalogue, a new exhibition amplitude in the Sydenham music abundance for arising and unrepresented Ōtautahi artists, Compilation is additionally a accumulation exhibition that celebrates the abiding accord amid music and the beheld arts. Accommodating artists are: Kara Burrowes, Irenie How, Jenna Ingram, Samuel Lewis, Annemieke Montagne, Kate Rennie, Julia Sharp, Gemma Syme, Kerry Tunstall, Jason Ware, Shannon Williamson and Nick White. Opens: December 12, 5.30pm-7pm. Until December 31.
Oliver Perkins, Abstraction for Paintings for the Clarification of Internal Architecture, and Institutional Identity (PCIAII), 2019, copy screen-print (The Physics Room)
7. The Physics Room Anniversary Fundraiser. The Physics Room, 301 Montreal St, Arts Centre Registry Building, access Market Square. The Physics Room has confused to a added abiding arcade amplitude in the above Cheese Mongers boutique in the Arts Centre Te Matatiki Toi Ora, aperture with its actively advancing anniversary fundraiser of affordable bound copy prints by five leading abreast artists: Ayesha Green, Cushla Donaldson, Lonnie Hutchinson, Matthew Galloway, and Oliver Perkins. Opens December 6, 5:30pm, December 7 to 8.
Shane Cotton, Black Pot, Black Pot #1, 2016, acrylic on paper, ( NMG)
8. Shane Cotton, Laurence Aberhart, Mark Mitchell and Matthew McIntyre-Wilson, Ability Catch, NMG, Wyn Williams House, 47 Hereford St. Ability Catch ability aloof be the accumulation exhibition of the year. The affirmation resides in both the alternative of artists and the evocative and against aggregate conversations that their works are able of breeding with one another. The land, adjustment and occupation, the accomplished and present, ability and history, all approach ample in the assignment of all four artists. From December 6 to February 6.
Nigel Buxton, Composition #1, 2019, book delicate on gesso on board, (PGgallery192)
9. Xmas ’19, PGgallery192, 192 Bealey Ave. PGgallery192 has captivated abounding notable exhibitions in 2019 and Xmas’19 brings calm abounding of the accommodating artists, including Joanna Braithwaite, Nigel Buxton, Polly Gilroy, Bill Hammond, Rebecca Harris, Viv Kepes, Euan Mcleod, Richard McWhannell, Donna-Marie Patterson and Terry Stringer. Make time for Buxton’s reconsideration of still activity as a basic and abreast book and painting attitude and Rebecca Harris’ repositioning of mural as nature, but not as we apperceive it. From December 3 to 21.
Jessie Rawcliffe, Untitled, 2019, 2 colour Risograph print, copy of 10 (Absolution)
10. Jessie Rawcliffe, B-Sides – A Risograph Series, Absolution, The Arts Centre of Christchurch, 2 Worcester Blvd. The Risograph printer and its stencil-on-paper artful is proving to be no barrier to its accepted advantage with artists and designers in Ōtautahi Christchurch. Multi-media artist Jessie Rawcliffe ethics its abeyant to abstinent the besetting absorption to detail in her work, with a new alternation of account prints that she describes as “more about a moment than a subject”. December 13 to January 3.
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